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Posed and Answered with Christian Burns of Burnswork

“I don’t think I’ve ever felt more aware of capitalism in my life as I do now. In general I feel really sad about the commercialization and commodification of choreographic product. So much pressure to self-promote, self-market, self-brand. Obviously the internet has liberated ‘the small guy’ for having a shot at creating new opportunities, but the constant chase to connect is killing something about the nature of the work itself.”

Blueprint Summer Intensive| Graphic Courtesy Peridance Capezio Center Blueprint Summer Intensive| Graphic Courtesy Peridance Capezio Center

BLUEPRINT Summer Intensive at Peridance Capezio Center

Peridance Capezio Center in NYC has some exciting news for young dancers looking for a change of pace in the world of Summer Dance Intensives.

BLUEPRINT, a brand-new, two-week contemporary ballet intensive program in New York City, is set to take place August 20-September 1 2012. Auditions for this exciting opportunity have already begun and will continue internationally throughout the winter and spring. In collaboration with dance icon and founder of DancePulp Drew Jacoby, Peridance has brought together an irresistible faculty for professional dance hopefuls ages 16-22.

Screen Shot "i don't believe in outer space" BAM Website "i don't believe in outer space" by William Forsythe, Screen Shot BAM.org

REVIEW: William Forsythe’s “i don’t believe in outer space” at BAM

All the way home from Lafayette Avenue at the BAM Howard Gilman Opera House to Washington Heights I have been processing Forsythe. I am swimming in his images, in the sounds of his performers’ voices, in their wild presence, and in the bucket of feelings delivered this evening by “i don’t believe in outer space.”

No ‘Joke’

I recently spent 2 weeks at in Antwerp, Belgium. I was visiting 2 very good friends of mine, Garrett and Courtney Anderson, dancers with the Royal Ballet of Flanders. I got to spend some time taking class and watching the company rehearse and perform. Artistic director Kathryn Bennetts is well known among the dance community and she is a very active advocate for dance. It was amazing to see how involved she actually was with her dancers, making sure to teach class and be in the studio coaching as much as possible. The dancers seemed inspired and hard-working, and the over-all working environment seemed positive.

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Jill Johnson

Frankfurt Ballet alum and Forsythe protege Jill Johnson talks about her experience working with William Forsythe during his prime creation years, Forsythe’s impact on dance, and the responsibility of creating environments that foster creativity.

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