Megan Fairchild and Chase Finlay in George Balanchine's "Duo Concertant" | Photo Paul Kolnik
REVIEW: New York City Ballet’s “Black and White”
In many Balanchine works, the first strains of a Stravinsky score serve as musical nitroglycerin: poised in stable tension, dancers suddenly explode into movement well matched to the music’s complexity and precision. Such was the case Saturday afternoon in New York City Ballet’s “Black and White” program, which continues the…
