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Royal Ballet Flanders, "The Return of Ulysses" / Choreographer: Christian Spuck / Photo: © Johan Persson Royal Ballet Flanders, "The Return of Ulysses" / Choreographer: Christian Spuck / Photo: © Johan Persson

REVIEW: Fall for Dance Festival at New York City Center, Program 4

International perspective keeps us healthy. Last night, in Program 4 of Fall For Dance at New York City Center, all four companies travelled from abroad to perform. The color, energy, and philosophies they brought along with them imbued the Festival with a new flair. If you wanted something different, this was the night to come.

The Australian Ballet, 'Gemini' The Australian Ballet, "Gemini" / Choreographer: Glen Tetley / Photo: Lynette Wills & Robert Curran, ©Branco Gaica

REVIEW: Fall for Dance Festival at New York City Center: Program 3

When the Australian Ballet first took the stage in banana yellow unitards, I was thrown off by the choice. However, when Gemini is put in the context of 1973, the year Glen Tetley first created it for the company, it starts to make a whole lot more sense. The piece is a mix of classical and contemporary ballet movement, set to the highly dramatic Symphony No.3 from Hans Werner Henze. There is no question of the athleticism of the two men and two women on stage. They move with force and confidence, flaunting stamina and flexibility. The choreography hovers between intimately human at times and distant and inanimate in the next second. There are many disconnected thoughts; I feel as if in a conversation full of non sequiters.

Video: Susan Jaffe

A Ballerina’s Career In a Nutshell Season 2: Episode 13 | 18:25 Former American Ballet Theatre principal dancer Susan Jaffe recounts the story of her discovery by Mikhail Baryshnikov and how it launched her long, superstar career.

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Cedar Lake's 360 Installation | photo: Darrell Wood Cedar Lake's 360º Installation | photo: Darrell Wood

REVIEW: Cedar Lake Contemporary Ballet Intensive Students Perform 360º Installation

Last night, students of the Cedar Lake Contemporary Ballet summer 2011 Intensive Program,  performed in an interactive installation piece entitled 360º at Cedar Lake’s homebase in NYC. Drew Jacoby and I joined the audience, circling the action rather than in rows of neat seats. In the current performance trend of audience…

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Heather Lang

Former Spiderman: Turn Off the Dark dancer and Radio City Rockette Heather Lang talks about her experiences as a commercial dancer and shares her insights on to what makes for a successful career.

Ellen Bar

New York City Ballet Director of Media Projects (and former NYCB soloist) and dance advocate Ellen Bar speaks extensively on why dance, and the arts in general, are a necessary part of our lives.

REVIEW: Week One Gotham Dance Festival

This week, I’ve been spending my evenings at the Joyce Theater for the jam packed Gotham Dance Festival, compiled by Ken Maldonado of Gotham Arts Exchange. This summer, Gotham Dance Festival offers up ten choreographers, showing world premieres as well as past repertoire. After a few days of reflection and gathering various reviews of performances, my own reactions to Brian Brooks Moving Company and Monica Bill Barnes and Company are still resonating. I’m left chewing on two remaining themes: repetition and character environment.

An Inside Look at Armitage Gone! Dance Spring Season at the Joyce Theater

This week, Armitage Gone! Dance, under the direction of daring choreographer Karole Armitage, took the stage at the Joyce Theater in New York for a two week, two program concert run spanning from April 26-May 8th. The show, no matter what night you choose to see it, promises to be anything but tame. With seven rehearsals to go before the dancers moved into the theater,  I sat down with Karole Armitage at the company’s rehearsal home, Dance Theatre of Harlem, to get a sneak peek of both her new work and repertory that has been refreshed and revamped for this unique company season. Program A of the Armitage Gone! Dance season will incorporate Ligeti Essays and Drastic Classicism, both older works continuously evolving since creation, as well as  the world premiere of Armitage’s newest work GAGA-GaKu, performed with selected members of Dance Theatre of Harlem Ensemble. Program B will show Three Theories, a full-evening piece premiered in 2010 dealing in universal physical laws and phenomena. In my observation of two of Armitage’s pieces, Ligeti Essays and GAGA-Gaku,  it didn’t take long for  me to realize the full scale of Armitage’s ambition, fed by a fascination with human experience.

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Video: Maria Kowroski

The Evolution of an Artist Season 2: Episode 2 | 18:24 New York City Ballet principal ballerina Maria Kowroski speaks about the pros and cons of being tall, the advantages of having choreographers create on you, and shares thoughts on personal struggle and inspiration.

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