Emery LeCrone, whose burgeoning dance company is a little over a year old, discusses starting a career as an independent choreographer– and how she feeds her creativity with diverse hobbies, relationships to her colleagues and a drive to always be getting better.
Program 3 American Ballet Theater Colin Dunne Ballet Hispanico Introdans Fall for Dance’s third program takes off with an American modern dance classic, visits an Irish step dancer, peaks with a world premiere by a Colombian-Belgian choreographer on a Latino dance company, and concludes with a Dutch company in a…
Having seen Pontus Lidberg’s dance film Labyrinth Within when it premiered two years ago, I really didn’t know what to expect with WITHIN — a new creation by Lidberg and Morphoses that embeds the 28-minute short in an hour-long creation of film and live dance. After all, just the medium…
In 2008, American Ballet Theater star, Ángel Corella , stepped beyond the role of dancer and added Artistic Director to his resume. Now four years later, Barcelona Ballet (formerly Corella Ballet) will gain Corella’s full-time devotion when he retires from his principal role at ABT at the end of this season.
In its second visit to New York City Center, the newly renamed company looked to merge the worlds of classical ballet and traditional Spanish dance in the world premiere of Pálpito (Spanish for “hunch”). A lengthy program note tells us of “a main character who is trying to free himself from the strings that have bound him to his former role of a dancer,” naturally played by Corella who will say goodbye to American Ballet Theatre this June. But before the ballet begins, I can’t help but to worry how the dramatically written synopsis will unfurl onstage.
1. What is your breakfast of choice?
“Gas-house eggs’ also known as ‘eggs in a hole.’ Bite a hole out of a piece of bread, drop an egg in, and fry over butter. Two every morning.”
2. What is your pre-performance ritual?
“Always allow for a process that slows your mind down while speeds your body up. Whether it be company class or your own personal warm up. Know that you will always give yourself the routine that puts you in the right, peaceful, but engaged, place. This will help dispel nervousness as well as let you reach a more intuitive place with your performance.”
Editor’s note: DancePulp welcomes The Ballet Bag! Here is Emilia and Linda’s first guest post. More guest posts from The Ballet Bag and others to come. A few months ago ballet and Twitter appeared together in the same front page article in the New York Times. Entitled ‘Ballet Stars Now Tweet…
A Healthy Perspective on Being a Dancer Season 1: Episode 23 | 19:27 American Ballet Theatre dancer Daniil Simkin talks about his private training with his mother, how coming from a ballet family has affected his career, and the importance of work-life balance as a professional ballet dancer.
A Classical Ballet Dancer’s Admiration for the Avant Garde Season 1 : Episode 17 | 15:40 American Ballet Theatre principal dancer David Hallberg shares how he rose through the ranks to become a star and shares his passion about forms of performance art other than classical ballet.