Program 1 Sara Mearns and Casey Herd Gabriel Missé and Analía Centurión Richard Alston Dance DanceBrazil The Fall For Dance festival, currently celebrating its tenth year, aims to create “a context for discussion, discovery and newfound enthusiasm” for a diverse audience (Susan Reiter’s program notes), offering low ticket prices and…
A projected wall of leaves ripples in the wind on stage and I can already sense the visual mastery at work in zoe | juniper’s New York Premiere of A Crack in Everything at New York Live Arts. The house lights dim and we are welcomed to a peculiar new realm, where dancers in patches of gold perform behind a giant glass wall on the front of the stage. Zoe Scofield’s powerful movement vocabulary owns the stage behind the protective layer in front of us. It’s an interesting new angle to see the fourth wall constructed physically. As the show continues, it becomes increasingly clear that the audience’s perspective will remain in constant flux and rarely visit the comfort zone.
What dancer can turn down a five dollar class?
$5.00 seems like an incredible deal for an hour and a half of dance technique — but that’s not all Greg Dolbashian (The DASH Ensemble) and Loni Landon (Loni Landon Projects) offered at The Playground, their three week workshop series hosted at Manhattan Movement & Arts Center. From November 28 to December 16, Dolbashian and Landon recruited some of the hottest up-and-coming contemporary dance artists (one each day) to teach in their individual style, and to explore repertory from their current projects. This means that dancers were not only students at The Playground, but in fact a professional working canvas for new pieces in the beginning phases.