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An Inside Look at Fall for Dance 2011 at NY City Center

An Inside Look at Fall for Dance 2011 at NY City Center

Oct 24th, 2011

This year, tickets to the 8th annual Fall For Dance Festival at the newly renovated New York City Center sold out in four hours. Audiences are ready to see dance. Whether they are avid arts-goers or first-timers to the theater, this week houses will fill as lucky ticket holders are presented with five diverse programs of companies from around the globe. To prepare for the Fall for Dance Festival (and our extensive coverage of it here at DancePulp) I interviewed Executive Director and CEO of City Center, Arlene Shuler and Stanford Makishi, Artistic Advisor for Fall For Dance this year.

Why Does Dance Matter?

Why Does Dance Matter?

Jul 1st, 2011

We want to know why you dance, why you support dance or simply why you think art is crucial to life. Tell us your experiences of how dance has affected your community. Tell us your concerns related to arts funding. Tell us how you support the artists and companies you love the most and what you think should be done to bring appreciation to not only dance, but all art forms.

My Pools of Inspiration

My Pools of Inspiration

Mar 29th, 2011

At this point in my career, after ten years as a professional ballet dancer, I find myself being asked these three questions quite often: How do I stay inspired, what do I strive for now, and how do I deal with the struggles that come with ballet stardom? Sometimes I don’t know how to answer. It’s not like I think about these topics all the time; I just do them. After several inadequate attempts to answer, I’ve decided to consider these important inquiries. I’ve discovered that their answers are more important to me than I thought, and even more so if I am hoping to still keep reaching for my peak. I certainly hope I’m not there yet. In this blog I’ll tackle inspiration, and I’ll follow up with two additional blogs to complete the answers to these questions.

Ballet Meets Pop

Ballet Meets Pop

Nov 8th, 2010

One of our favorite topics is ballet’s potential for crossover with other art forms. Just as with fashion and photography ballet also naturally lends itself to collaborations with pop music as a means to captivate new, younger audiences and break with conventions. One of the most successful “indie rock ballets” of all time, Wayne McGregor’s “Chroma”, is so closely associated with its score that it has been nicknamed the “White Stripes ballet”.

“Social Dancing”

“Social Dancing”

Sep 22nd, 2010

A few months ago ballet and Twitter appeared together in the same front page article in the New York Times. Entitled ‘Ballet Stars Now Tweet as Well as Flutter‘ and illustrated with a photo of NYCB’s Ashley Bouder tweeting during a rehearsal break, the article by Gia Kourlas argued that Twitter is “starting to change the public face of ballet (…) making ballet dancers human.”

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REVIEW: Camille A. Brown and Dancers at The Joyce Theater

REVIEW: Camille A. Brown and Dancers at The Joyce Theater

by Jan 31st, 20121 Comment

When you spend the evening with Camille A. Brown, you leave feeling that you are one of her closest friends.

The effect boggles me. Brown’s compositions seduce you into their center, as if you stumbled into the middle of a complex family history or an intimate conversation you were not fully prepared for. Brown is an honest mover, who carries in her dancing body her own journey, which means she bears all. She hides no idiosyncrasies, but rather delves into her uniqueness to find its source. She cultivates in her dancers truer versions of themselves so that even as they do her movement, they are set apart. Placed in an environment of socially conscious choreography that often allows performers freedom of theatricality, Brown’s combination of concept and execution is striking.

REVIEW: David Dorfman’s “Prophets of Funk” at the Joyce Theater

REVIEW: David Dorfman’s “Prophets of Funk” at the Joyce Theater

by Jan 27th, 2012No Comments

When “Prophets of Funk” opens at the Joyce Theater, Dorfman himself is the torch-bearer: the first mover we see. At first we are distracted by glitzy bell bottoms, afro-wigs and fringed vests, swept up in familiar sequences of ponies, grapevines, and snappy step-touch footwork. As if at a party suspended in time, we tap our foot to the familiar tunes and smile at the performers dancing together. It’s not all laymen’s steps– moments of line dancing are fluidly integrated with smooth turns, drops, and balances à la modern dance. Dorfman’s choreography calls for technique, theatricality, rhythm and charm. Video footage of the band is projected on the back screen and Sly himself is present (played by Raja Kelly). He has everyone in the palm of his hand.

BLUEPRINT Summer Intensive at Peridance Capezio Center

BLUEPRINT Summer Intensive at Peridance Capezio Center

by Jan 23rd, 2012No Comments

Peridance Capezio Center in NYC has some exciting news for young dancers looking for a change of pace in the world of Summer Dance Intensives.

BLUEPRINT, a brand-new, two-week contemporary ballet intensive program in New York City, is set to take place August 20-September 1 2012. Auditions for this exciting opportunity have already begun and will continue internationally throughout the winter and spring. In collaboration with dance icon and founder of DancePulp Drew Jacoby, Peridance has brought together an irresistible faculty for professional dance hopefuls ages 16-22.

The Playground at Manhattan Movement & Arts Center

The Playground at Manhattan Movement & Arts Center

by Dec 20th, 2011No Comments

What dancer can turn down a five dollar class?

$5.00 seems like an incredible deal for an hour and a half of dance technique — but that’s not all Greg Dolbashian (The DASH Ensemble) and Loni Landon (Loni Landon Projects) offered at The Playground, their three week workshop series hosted at Manhattan Movement & Arts Center. From November 28 to December 16, Dolbashian and Landon recruited some of the hottest up-and-coming contemporary dance artists (one each day) to teach in their individual style, and to explore repertory from their current projects. This means that dancers were not only students at The Playground, but in fact a professional working canvas for new pieces in the beginning phases.

Dancers As Action Heroes

Dancers As Action Heroes

by Dec 15th, 2011No Comments

When audiences enter the Park Avenue Armory for STREB: Kiss The Air, they will see a stadium of hardware and obstacles, complete with a pool, zip lines, a rotating 20-foot ladder, and a scaffold tower with three diving platforms. This is the STREB Extreme Action Company’s playground, where dancers fall, crawl, climb, and fly.

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