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Cedar Lake Contemporary Ballet in "Violet Kid" | Photo by Juileta Cervantes Cedar Lake Contemporary Ballet in "Violet Kid" | Photo by Juileta Cervantes

Cedar Lake Finally Dances in New York

For a year and a half, Cedar Lake Contemporary Ballet has performed almost everywhere but New York City. But from May 15-27 they are back at the Joyce Theater with two programs. They’ll feature six pieces by six different choreographers, five NYC premieres, and one world premiere.

Ana-Maria Lucaciu, one of Cedar Lake’s sixteen dancers says, “Finally we can show the city what we have been working on.”

Program A shows “Violet Kid” by London-based Hofesh Schecter, “Annonciation” by French choreographer Angelin Preljocaj, and “Grace Engine” by Canadian Crystal Pite. “[Violet Kid] has a lot of sustained aggression. It is under this constant boiling lid and is never allowed to come out.” Lucaciu says. Schecter works with images of being scolded as a child and the feeling of repressed anger, and the dancers, who are on stage for the duration, must use restraint and power simultaneously in their movement.

“Hofesh doesn’t give you a chance to scream,” Lucaciu says, “but he manages the intense feeling by exhausting you. You either can say, ‘I’ve given up’ or ‘I’ve given it all.’”

In contrast, “Grace Engine” is quieter and more internally reflective. For Lucaciu, the piece is about the linear path of life: “Everybody has a line in their life. People come in and out, but you are still traveling. You meet someone, maybe you never speak again. You meet someone else, you continue with them and maybe you drop them off again. It’s a constant journey.”

To read full article, click HERE.

This post is part of an ongoing partnership between DancePulp and Theater Development Fund. Visit tdf Stages for more information.

Post by Emeri Fetzer

Emeri is Managing Editor of DancePulp.com and a full–time freelance performer. Emeri most recently danced in Punchdrunk's 'Sleep No More' NYC and in original choreography for PITH Dance. Originally from Salt Lake City, Utah, with BA’s in Dance Choreography and English from Goucher College, Emeri loves to marry writing with a strong passion for movement. She is also a regular contributor for Theater Development Fund's online magazine TDF Stages.

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