
REVIEW: Cedar Lake Contemporary Ballet at the Joyce
Cedar Lake Contemporary Dance held court with a captive, hometown audience last week, like an impossibly hip and worldly friend that fascinates with tales from abroad. For the past year and a half, Cedar Lake has been performing everywhere but the Big Apple, taking up with Europe’s presenters as often…

PREVIEW: Gallim Dance at the Joyce Theater
Two weeks ago, Gallim Dance opened the doors to its new home in Brooklyn at the Church of St. Luke and St. Matthew. In addition, the lucky attendees were offered a sneak peak at Andrea Miller’s new work Sit, Kneel, Stand to be premiered at the Joyce Theater June 8th-10th. It was an overwhelming experience, not only to see such exclusive sights, but also to witness the growth that Gallim Dance has undergone.
Gallim has gained its reputation by utilizing Ms. Miller’s extremely physical movement vocabulary coupled with raw emotional construction to expose deep and visceral themes. However, the choreography has never really strayed from its firm roots in the genre of “Dance”, staying true to more traditional choreographic tools.

Cedar Lake Finally Dances in New York
For a year and a half, Cedar Lake Contemporary Ballet has performed almost everywhere but New York City. But from May 15-27 they are back at the Joyce Theater with two programs. They’ll feature six pieces by six different choreographers, five NYC premieres, and one world premiere. Ana-Maria Lucaciu, one…

REVIEW: Introdans at the Joyce Theater
Ballet has always held itself in a different genre, treasuring technique and choreographic innovation within that aesthetically clean framework. Prestigious visionaries like George Balanchine and Jiří Kylián found their own unique ways of transforming the classical to the contemporary, historically breaking new ground and allowing a next generation of creativity to progress and discover new ways to enrapture audiences. One of the national dance companies of the Netherlands, Introdans was met with high expectations for their US debut at the Joyce Theater. Ballet desperately needs new flag-bearers. The result this week was disappointing in its transparency.
Roel Voorintholt, artistic director of Introdans, opened with Heavenly, featuring divinity-themed revivals from three different choreographers. The first work, Fünf Gedichte (five poems), was choreographed by Nils Christe and premiered in 1996.

PREVIEW: Igal Perry’s Peridance Contemporary Dance Company
It was 1983 when Igal Perry first opened the Peridance Capezio Center and began a ballet company, the Peridance Ensemble. Since it’s formation, Perry’s ensemble has performed 50 works around the world and has seen very active seasons and some less rigorous. This coming weekend, 29 years later, the company…

FILM PREVIEW: First Position
First Position is a documentary tracking young ballet dancers in competition for the the annual Youth America Grand Prix. Outsiders of the dance world often marvel at the discipline, commitment and sheer tenacity of those trying to be professionals in the business. Dancers however, never think twice about what it…