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DancePulp Relaunches in 2015!

Welcome to 2015! And welcome to DancePulp reloaded. The DancePulp team has been hard at work imagining the many ways we can inspire and energize our creative community. In the coming year, we are anxious to bring you candid conversations, fresh imagery, insightful questions and important current news surrounding (but…

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Video: GHOST

We’re delighted to finally revive some footage that has been sitting on an abandoned hard drive. In this video Drew Jacoby, Rubinald Pronk, Prince Credell, and Leo Mujic discuss the making of an original piece by Leo Mujic for Jacoby Pronk and Dancers. It was filmed in Belgrade, Serbia and…

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artwork by Alice Klock artwork by Alice Klock

Artist Feature Series

Dance is a lifelong discipline of constant practice, study, effort and creativity. More often than we realize, dancers find themselves expressing the creative impulse in mediums other than movement. Whether they sketch, compose, cook, paint, collage, design, photograph or film they find a different side of themselves from the one…

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Jamar Roberts | Photo Andrew Eccles Jamar Roberts | Photo Andrew Eccles

Artist Feature: Jamar Roberts

Jamar Roberts graduated from the New World School of the Arts. He trained at the Dance Empire of Miami and as a fellowship student at The Ailey School. Mr. Roberts was a member of Ailey II and Complexions Contemporary Ballet. He first joined the Alvin Ailey American Dance Theater in…

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Alice Klock | photo © Todd Rosenberg Photography Alice Klock | photo © Todd Rosenberg Photography

Artist Feature: Alice Klock

Alice Klock began dancing at the age of eleven. 2003-’07 she attended Interlochen Arts Academy and went on to attend the Alonzo King’s Lines Ballet BFA program. In 2009 she was hired into Hubbard Street Dance Chicago’s second company and in 2011 she was promoted into the main company. Alice has…

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Neil Greenberg's "This" at NYLA | Photo Frank Mullaney Neil Greenberg's "This" at NYLA | Photo Frank Mullaney

REVIEW: Neil Greenberg’s “This” at NYLA

In discussing This, the work which premiered at New York Live Arts last week, Neil Greenberg makes it clear that the dancers were a very integral and very early part of the creative process. We, too, will start with them: Omagbitse Omagbemi: resolute, inquisitive, confident; Molly Lieber: frank and sculptural,…

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Pina Bausch's "Kontakthof" at BAM | Photo Theatre de la Ville Pina Bausch's "Kontakthof" at BAM | Photo Theatre de la Ville

REVIEW: Pina Bausch’s “Kontakthof” at BAM

Pina Bausch has a gift for holding up a beautiful mirror and gently showing us how ridiculous we look. In Kontakthof, scenes unfold wildly out of proportion, with hysterical shrieks meeting compulsive preening meeting a fake mouse corpse. “There are dancers onstage,” Anna Wehsarg comments at one point: “do you…

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RoseAnne Spradlin at New York Live Arts | Photo Ian Douglas RoseAnne Spradlin at New York Live Arts | Photo Ian Douglas

REVIEW: RoseAnne Spradlin at New York Live Arts

G-h-o-s-t c-r-o-w-n (working title) begins like a ballet gone wrong—Rebecca Warner and Natalie Green repeat classical vocabulary interminably, as though possessed or as though they have forgotten the next step and are desperately trying to summon it via muscle memory. A live (exceptional) musical trio pipes in, led by an…

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